张旭东，纽约大学（NYU）比较文学系、东亚学系教授，北京大学“长江学者”讲座教授，重庆大学人文社会科学高等研究院名誉院长（兼职），纽约大学-东京大学-北京大学-华东师范大学联合国际批评理论中心（ICCT）主任。中文著作包括《批评的踪迹》、《纽约书简》、《全球化时代的文化认同》、《对话启蒙时代》、《我们时代的写作》等。译有《发达资本主义时代的抒情诗人》、《启迪》。编有《晚期资本主义时代的文化逻辑》、《后现代主义与中国》（英文）、《中国何处去——当代中国思想论争》（英文）、《在全球化时代反思启蒙》（英文）等。

In Postsocialism and Cultural Politics, Xudong Zhang offers a critical analysis of China's "long 1990s," the tumultuous years between the 1989 and China's entry into the World Trade Organization in 2001. The 1990s were marked by Deng Xiaoping's market-oriented reforms, the Taiwan missile crisis, the Asian financial crisis, and the end of British colonial rule of Hong Kong. Cons...(展开全部)

TThrough a comparative analysis of diverse texts and contexts, this book offers a cultural history of the interplay between the aesthetic and the political in the formation of personal and collective identity that crystallizes into the Chinese aesthetic of the sublime. It describes how various kinds of politics are aestheticized and how aesthetic manifestations are bound up wit...(展开全部)

Maid in China is the first systematic, book-length investigation of internal rural migration in post-Mao China focused on the day-to-day production and consumption of popular media. Taking the rural maid in the urban home as its point of departure, the book weaves together three years of engaged ethnographic research in Beijing and Shanghai with critical analyses of a diverse a...(展开全部)

Shih-Diing Liu is Professor of Communication at the University of Macau. He completed his PhD at the University of Westminster. His research has appeared in journals including Dushu (Beijing), Positions, and New Left Review. Wei Shi is Associate Professor of Communication at the University of Macau. She completed her PhD at Goldsmiths College, University of London. Her articles...(展开全部)

Shih-Diing Liu is Professor of Communication at the University of Macau. He completed his PhD at the University of Westminster. His research has appeared in journals including Dushu (Beijing), Positions, and New Left Review. Wei Shi is Associate Professor of Communication at the University of Macau. She completed her PhD at Goldsmiths College, University of London. Her articles...(展开全部)

Frederick Mote, one of the twentieth century's most prominent Sinologists, has written a historian's memoir that uses observation and personal experiences to understand the intellectual and social transformation of China. Mote's thought-provoking narrative distills his reflections on modern China and details change in Chinese historical studies in the twentieth century. Mote as...(展开全部)

Frederick Mote, one of the twentieth century's most prominent Sinologists, has written a historian's memoir that uses observation and personal experiences to understand the intellectual and social transformation of China. Mote's thought-provoking narrative distills his reflections on modern China and details change in Chinese historical studies in the twentieth century. Mote as...(展开全部)

本书是美国著名中国现代美术史学者安雅兰1998年在纽约古根海姆博物馆策划的大型展览“危机中的一个世纪:20世纪中国艺术中的现代与传统”的展览图录。该展览试图对一个世纪以来的中国艺术作一次概括性的回顾和总结。在书中作者把现当代中国美术划分为四个时期，即“中国画的革新，1850一1950";“现代主义者，1920-1950";“新中国艺术，1950-1980";以及“传统的改造，1980至今”，并分别描述和分析了各个时期的风格特点以及其时代特征。 Between 1850 and today, China has undergone an unprecedented series of shocks and transformations. This dramatic period -- which has seen urban industrializ...(展开全部)

本书是美国著名中国现代美术史学者安雅兰1998年在纽约古根海姆博物馆策划的大型展览“危机中的一个世纪:20世纪中国艺术中的现代与传统”的展览图录。该展览试图对一个世纪以来的中国艺术作一次概括性的回顾和总结。在书中作者把现当代中国美术划分为四个时期，即“中国画的革新，1850一1950";“现代主义者，1920-1950";“新中国艺术，1950-1980";以及“传统的改造，1980至今”，并分别描述和分析了各个时期的风格特点以及其时代特征。 Between 1850 and today, China has undergone an unprecedented series of shocks and transformations. This dramatic period -- which has seen urban industrializ...(展开全部)